Menomonie artist Amy Fichter’s avian meditation on what we are losing—and what we have lost.
Photographer and Milwaukee native Jarob Ortiz was recently selected as the new photographer for the National Park Service’s Heritage Documentation Program, where he will explore the architectural history of t
The collaboration behind Leslie Iwai's Daughter Cells: Inheritance, Separation & Survival.
Leslie Iwai’s installation for the James Watrous Gallery, Daughter Cells: Inheritance, Separation and Survival, is an investigation of family relationships at both the cellular and emotional level: what we inherit, how we separate, and what we choose to retain and pass on.
Rachel Bruya sits down with Allison Welch to discuss her art practice and inspiration for her current project, Meet Allison: an American Girl.
The Archive as a River will be on view at the Foster Gallery, University of Wisconsin-Eau Claire, from November 4-23, 2016.
In late August of 1906, Mrs. Anna Carlton announced her intention to drown herself in the Chippewa River. Her disappearance soon after led many to believe she had followed through on her promise.
Wide Eyed is intended to be a breathing body of images, a space to bounce and veer and double back while maintaining the sensation of being in a place of familiarity without specificity.
A stellar group of historians, artists, and poets offered insights into Vanderbilt's pioneering work with visual materials this fall during programs organized to coincide with the James Watrous Gallery’s exhibition
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Wisconsin Academy Administrative Offices and Steenbock Gallery
1922 University Avenue
Madison, Wisconsin 53726
James Watrous Gallery of the Wisconsin Academy of Sciences, Arts & Letters
3rd Floor, Overture Center for the Arts
201 State Street
Madison, WI 53703