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Tales of the Seated Cat

Crop of Nina Ghanbarzadeh, People of Qajar era in my studio III, 2024, line drawing, gouache, and collage on paper mounted on wood panel
Crop of Nina Ghanbarzadeh, People of Qajar era in my studio III, 2024, line drawing, gouache, and collage on paper mounted on wood panel

Nina Ghanbarzadeh’s art practice is rooted in the desire to share the culture and history of Iran, where she was born. She often works with geometric patterns, calligraphic phrases written in Farsi, and the color turquoise, inspired by their importance in the history of Iranian art and architecture. Repetitive, meditative processes are central to her process, from drawings composed with lines of text to patterned ceramic and collage pieces that recall mosaic tile. The rhythmic power of Ghanbarzadeh’s work creates a quiet resonance that transcends both pure decoration and literal translation.

“Living between two cultures,” she explains, “I find myself in constant translation. Culture is so much more than language. It is a shared visual sensibility, humor, music, rituals, pastimes, food, spiritual commonalities, shared history and understanding.” By using art to express the beauty and complexity of Persian language and culture, Ghanbarzadeh hopes to counter the pervasive stereotypes about Iran and its people.

Nina Ghanbarzadeh, There is much hope in hopelessness (detail), 2024, ink and pastel on mulberry paper.

Nina Ghanbarzadeh, People of Qajar era in my studio III, 2024, line drawing, gouache, and collage on paper mounted on wood panel

Contributors

Nina Ghanbarzadeh is a visual artist and entrepreneur taking a universal approach to written language in her art. She emigrated from Tehran, Iran, in 2001. Ghanbarzadeh earned her Bachelor of Fine Arts degree in painting, drawing and graphic design from the University of Wisconsin, Milwaukee in 2013 and completed a two-year Artist in Residency Program with Redline Milwaukee in 2015.

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