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See Foam

Maureen Fritchen, Untitled [Pink Sheet #3], 2022-2023, polyethylene foam, diabetic needles. Wall mounted.
Maureen Fritchen, Untitled [Pink Sheet #3], 2022-2023, polyethylene foam, diabetic needles. Wall mounted.

Stacks of bright pink and turquoise packing foam, unruly lengths of conduit, and piles of plastic needle caps—these materials are usually destined for the landfill. For Maureen Fritchen, they represent a precious resource. Her art practice is inspired by unexpected finds, from scavenged trash to substantial hauls of industrial waste. With a studio located in the expansive Racine Business Center, Fritchen’s been able to rescue a rich and almost unlimited variety of manufacturing and packaging waste from resident businesses.

The challenge of this approach is constant experimentation, learning to work with each new material while staying true to your artistic vision. “Play is vital to my process,” Fritchen says, and “the materials can dictate how forms emerge and lead to surprising outcomes.” For many years she worked with a largely neutral palette, exploring discarded magazines, rubber, carpet tack strips, cardboard, and more in simple, minimalist grids, blocks, and rectangles. More recently, access to stacks of bright pink and turquoise polyethylene foam has taken Fritchen in a completely new direction, with sensuous, whimsical forms that recall ocean creatures, flowers, and mammalian bodies.

Maureen Fritchen, Obsession, 2023, polyethylene foam, hot glue.

Contributors

Born in Chicago, Maureen Fritchen lives and works in Racine, Wisconsin, where for the past 16 years she has had a studio at the 16th Street Studios. Fritchen took a self-directed approach to art scholarship, focusing on painting at the American Academy of Art in Chicago, UW-Whitewater, Boise State University, UW-Parkside, and UW-Pigeon Lake. Fritchen regularly shows in regional juried, invitational, and biennials exhibitions.

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