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James Watrous Gallery

Gerit Grimm, Gardener, 2012. Stoneware (reduction cone 6), 39 x 23 x 25 inches
Solo Exhibitions
April 28, 2017 to June 18, 2017

Coming Soon

Espeth image, title here
Solo Exhibitions
July 7, 2017 to August 27, 2017
No Registration

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James Schwalbach, the driving force behind the “Let’s Draw” program from 1936 to 1970.

Making marks—scratching in the sand, carving into a branch, or marking stone with a charred stick—is a primal human activity.

The collaboration behind Leslie Iwai's Daughter Cells: Inheritance, Separation & Survival.

Oneida artist Karen Ann Hoffman shares her knowledge of Haudenosaunee (Iroquois) raised beadwork with a group of apprentices and friends.

Beaders (l to r) Sandra Gauthier, Judith Jourdan, and Betty Willems at an Oneida Nation Arts Program workshop in 2013. Learn more about Oneida raised beadwork. Photo by Anne Pryor.

Raised beadwork has powerful cultural and historic meanings for the Oneida Nation.

Rachel Bruya at work in the studio

Rachel Bruya departs as exhibitions coordinator of James Watrous Gallery and welcomes Angela Johnson to the team.

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Wisconsin Academy Administrative Offices and Steenbock Gallery
1922 University Avenue
Madison, Wisconsin 53726
Phone: 608-263-1692

James Watrous Gallery of the Wisconsin Academy of Sciences, Arts & Letters
3rd Floor, Overture Center for the Arts
201 State Street
Madison, WI 53703
Phone: 608-265-2500