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@ the Watrous Gallery

Kyoung Ae Cho, Last Place He Stopped By, 2020. Temporary wooden crematory box, fabric from Father’s suit pants, thread, 8 x 8 x 8 in.

One of the great privileges of working at the Watrous Gallery is getting to know the artists and gaining a fuller understanding of their creative process.

Image: Bruce Crownover, Blackfoot Glacier, 2014. Reductive woodcut, 24 x 36 in.

This is a story about creative, unlikely collaborations, and connections between artists, scientists, and musicians.

This solo exhibition by artist Emily Arthur examines connections between seemingly unrelated events, past and present, to make visible the land as a living matter that holds a story.

Crop of Todd Anderson's Tyndall Glacier, ROMO–The Last Glacier

Three artists collaborate to capture the majesty of Earth's remaining glaciers.

The James Watrous Gallery’s pop-up Vulnerable Bodies exhibition in the gallery space at Garver Feed Mill. Photo by Jody Clowes.

An art exhibit explores the ways in which our bodies map the fissures of this cultural moment.

Internationally renowned coffin maker Eric Adjetey Anang is part of a vanguard of immigrant and first-generation American artists who call Wisconsin home. Steven J. Erickson, 2017.

Six first-generation immigrant artists describe how moving to Wisconsin has affected their artwork and their careers.

Andrew Redington, Roundabout, 2016. Sculpture, upcycled furniture, canvas,  70 by 70 by 30 inches.

Works by Robin Jebavy, Andrew Redington, Kyoung Ae Cho, Dakota Mace—all of whom should have shown at the gallery in late 2020-early 20201.

We’re absolutely on board with social distancing during the coronavirus pandemic. Even so, having to cancel our upcoming exhibitions is a major disappointment.

Interior James Watrous Gallery shot of the Collections & Connections exhibit

Building a specimen collection of plant, animal, and mineral resources was a matter of scientific interest and civic pride for the Wisconsin Academy’s 19th-century founders.

SV Medaris, G.O.S. Sow (detail). Hand-colored and reduction linocut, 8 x 10 inches.

When people think of Wisconsin, they think of farms. While farms both large and small dot our pastoral lanscapes, images of cows, barns, and cornfields are almost as ubiquitous.

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Wisconsin Academy Offices 
1922 University Avenue
Madison, Wisconsin 53726
Phone: 608.733.6633

 

James Watrous Gallery 
3rd Floor, Overture Center for the Arts
201 State Street
Madison, WI 53703
Phone: 608.733.6633 x25