@ the Watrous Gallery
Making marks—scratching in the sand, carving into a branch, or marking stone with a charred stick—is a primal human activity.
The collaboration behind Leslie Iwai's Daughter Cells: Inheritance, Separation & Survival.
Raised beadwork has powerful cultural and historic meanings for the Oneida Nation.
My Night Vision series evolved out of a strong desire to learn more about the wild creatures that share my 58-acre farm.
A survey of the inner landscapes of Milwaukee painter Tom Berenz.
Author and Wisconsin Academy Fellow Lorrie Moore reflects on the life and works of artist David McLimans.
Curator, photographer, librarian, archivist, Monuments Man, teacher, philosopher, flaneur, iconographer—Paul Vanderbilt was all these things
It was a chance meeting on a ski run that first piqued Donald Friedlich’s interest in making jewelry. At the age of twenty, unsure of his direction, Friedlich spent a winter in Stowe, Vermont, skiing and contemplating his future.
Ida Wyman, now 87 and a relative newcomer to Madison, may not be familiar to younger Wisconsinites. But it’s likely her post-war photographs will strike a chord with older ones.
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Wisconsin Academy Administrative Offices and Steenbock Gallery
1922 University Avenue
Madison, Wisconsin 53726
James Watrous Gallery of the Wisconsin Academy of Sciences, Arts & Letters
3rd Floor, Overture Center for the Arts
201 State Street
Madison, WI 53703